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"'What Do You Think You’re Doing’: The Climax of the Story”
My friend, Ray, always seemed to be in need of money. But, back then, in the mid-seventies here at Greenville, most of us
were without cars, money, and many of the technological gadgets which most of
us now take for granted. So it was that
I came to set up two avenues to increase my income: typing up and proofreading
papers for guys who didn’t know how and the establishment of what later came to
be called the 2nd Joy betting pool.
It was the latter which proved to be both a lucrative source of income
for me, and occasionally Ray; but which also almost led to our downfall and a
quick exit from these ivy-colored halls.
That
November, Ray was particularly worried because he wanted to impress this girl
who worked at the library. His plan was
to locate a tux, buy a dozen roses, and borrow a friend’s car to take her into St. Louis. What he needed was cash. My idea was quite simple. Ray would strip off and get buck naked
(remember, this was the height of the streaking days), and then he would oil
down his body and slither out onto the roof of what was then the bookstore and
what is now the mailroom. Now, anyone
who has actually looked out onto the flat terrain of that roof knows that it is
littered with all kinds of little, sharp rocks.
The question was: How long could Ray lie prostrate on that roof
completely nude in the cold night air?
Surely such a question was worth betting on!
So it was
that I began to round up the usual suspects and the pot began to grow. The great thing about my scheme was that, no
matter what happened, Ray and I would get paid—whether he lasted a long or a
short time. But from the very beginning,
things began to go wrong. The day turned
cold and by sundown the clouds had lowered and it was starting to rain. By ten
o’clock, the officially posted time for the event, little pellets
of ice were falling out of the sky and pelting the roof. Ray had to psyche himself up for the event
while we secured box seating for the betters along the south side of Joy
Hall—rooms 203, 205, 207. The guys had
been looking forward to this all day and I was having a hard time keeping them calm
and quiet. My biggest fear always was of
getting caught and having the whole lucrative business enterprise somehow
unravel. While I “shushed” the crowd,
Ray carefully and gingerly made his way out the window and onto the roof. He immediately began to chatter as he spread
himself flat against the rocks in something between a cruciform and fetal
position. The guys went crazy. Those who had their money on a matter of a
few short minutes began to urge him to feel the bitter cold and wet and to get
up—like some kind of naked Lazarus who would squeeze back into the warmth of
the men’s dorm. But those who thought he
might last ten or fifteen minutes were trying to cajole him to remain calm and
to enter a Zen-like state in which he might ignore the cold. To those driving past on College Avenue, it must have looked like
some kind of prison break in the offing.
Then it was
that my greatest fear began to be realized.
It just so happened that that night, of all nights, Dr. Orley Herron, President of Greenville College, had decided to work
late in his office before retiring to Joy House. Now what you have to know about Dr. Herron (or
the “Big-O” as my friends Jay Kennedy and Mark DeMoulin had dubbed him) is that
he struck fear in freshmen guys—particularly those who were doing what they
shouldn’t be doing. Tall and
barrel-chested, “The Big-O” could oftentimes be found with his shirt off,
leading a pack of half-dozen or so faculty and administrators in a noontime
run. He had this big basso-profundo
voice and was the epitome of what my friend, Dr. Randall Balmer, has labeled
“muscular Christianity.” He couldn’t
fail to notice the racket emanating from Joy Hall or the flashlight beams
careening over Ray’s prostrate form on the roof of the bookstore. I knew that if Ray stood up, we were all
dead. Everything after that happened so
fast that, to this day, I break out in a sweat remembering it. Suffice it to say that the Resident Director
was not amused and I was warned that the continuation of any such illegal activities
might well result in my dismissal from the college.
Within
weeks of that event, my entire life changed.
I decided that I was no longer going to be a Pre-Med major, but give in
to my passion for literature and become an English major. The band I was in disbanded and I found
myself the lone freshman with a group of upperclassmen loading my drums up to
go out and represent the college. My
quest to date my way through the female populace was dropped and I actually got
the Chaplain of the Sophomore class to go with me to that year’s performance of
Handel’s Messiah. Within a few months,
the editor of the Papyrus would move
me from writing lead news articles to the Opinion page and, shortly thereafter,
I would begin to immerse myself in Student Government—a year later, running for
and winning the election for Student Association President
as a sophomore. Looking back now, I can
see how, in many ways, that night on the roof marked a crisis-point, a climax,
in my narrative in this place and forever changed the trajectory of my student
years.
Such
crisis-points come along in our lives occasionally, but it is usually only in
retrospect that we recognize them. In
Ruth’s continued saga, the days had probably begun to blur together—beginning
and ending the same, falling into a regular, routine, and mundane pattern. Each morning she would probably get up early,
before dawn, dress herself, and make her way to the fields to glean a little
something for herself and Naomi. But,
just as the women have been the primary actors throughout this brief narrative
and the men oftentimes passive, at best, so it is in this chapter of the
story. Naomi comes up with a bold plan
which is filled with double-entendre.
Her instructions clearly represent a woman who understands both the hearts
of men and the ways of the world. Ruth,
she says, is told to wash and anoint herself (the ancient equivalent of putting
on cosmetics), to put on her very best and most attractive clothes, and then to
go to the threshing floor to lie in wait for Boaz after he has had his fill of
food and drink. In other words, Ruth is
to be at her most desirable exactly at the point at which Boaz will perhaps be
most susceptible to her charms, having eaten a big meal and swilled one too
many beers. In Hebrew, these opening
verses are dominated by the powerful verbs which get translated with English
words like, “go down” and “lie down.”
These terms are not neutral—they are freighted with sexual overtones. At
the end of reading Naomi’s instructions, the reader is left to wander, exactly
what is this older woman suggesting. The
text remains intentionally ambiguous and the only conclusion we can reach is
that, at the very least, Naomi’s plan is, as Danna Fewell and David Gunn
suggest, both deceptive and dangerous (Compromising Redemption, 99).
Ruth’s
partner in this dangerous dance is Boaz, the one remaining righteous man who
has emerged in the story. But here he is
at first something of a cardboard cutout, a kind of poster child for “The Best
Damned Sports Show Period.” Just as
Naomi had predicted, he walks onto the threshing floor filled with food and
drink and, according to the narrator, “he was in a contented mood.” Think American Thanksgiving, lots of turkey
and pumpkin pie, an hour into the football game, all the males in the household
with belts unbuckled and fast asleep.
This was
the moment of crisis. Naomi’s
instructions had been clear: “observe the place where he lies; then go and
uncover his feet and lie down.” My
professor at Princeton, Katherine Sakenfeld, raises the question about what is
at work here: Is Ruth now about to engage in the ultimate act of
self-sacrifice, offering her body for the sake of the older woman’s economic
welfare, or is she merely naïve and unaware of the sexual implications of
Naomi’s plan? Again, the text retreats
from any real clues. What we do know is
that, according to the writer, “she came stealthily and uncovered his ‘feet,’
and lay down,” (verse 7). Hours later,
at midnight, he turns over,
the writer says, “and there, lying at his feet, was a woman!” Now the moment of reckoning had come. Naomi’s instructions had been clear: “he will
tell you what to do.” But, instead, Boaz
asks a question, “Who are you?” This is
a scene Hollywood
has provided for us numerous times over: the drunken man awakes to surprisingly
find a female in his bed, at his side.
Now, for the first time, Ruth
departs from the script. Here is how
Fewell and Gunn describe what follows:
She puts her identity up front with
all that it entails—she is a foreigner and she is ‘lower class’ (“your
maidservant”). But she puts it up front
together with a challenge: Extend your kanaph,
because you are a rescuer/redeemer. As
with Naomi, Ruth allows Boaz freedom to make a choice. See her as but an ephemeral sexual object …,
or see her as a person in need (“spread your wing/skirt”), a person who offers
an enduring relationship, in which sexuality will have its home. She ‘calls’ him on his words of faith in
chapter 2. It’s fine to talk about the
wings of YHWH, but how about something a little more tangible? You can afford to wait for YHWH to
recompense, reward and offer refuge. I
can’t. How about putting your action
where your fine words of faith are. You
talk of my hesed
(“faithfulness”). Now let’s see
yours. Not only does she pull his
religiosity to the level of human interaction, she pulls it to the most basic
level of human interaction—sexual intercourse.
His blessing (back in chapter 2) allowed him to remain distant; she
challenges him to cut through the distance, to become as intimate as two people
can be. She appeals to desire and
closeness as a condition for faithfulness.
And she extends to him her trust.
(Compromising Redemption, 102-103).
To say,
then, that Ruth found herself in a compromising situation would be an understatement. It is clear from the text that the narrator
wants us to see clearly the possibility for sexual misconduct. The instructions that Naomi issues may
indicate that Ruth is to go to the threshing floor prepared to speak, “as a
bride.” There is intentional ambiguity
about the uncovering of Boaz’ legs—how much was to be uncovered? Eight times in this relatively brief drama
the verb, skb, “to lie down” is used,
alongside the frequent use of the verb, yd’,
“to know.” But, in no way is this an
attempt by the biblical writer to titillate those of us overhearing the
story. The purpose is to draw us into
this difficult question of whether Ruth, caught in the crucible of a difficult
choice, will emerge the righteous person she was when the story started. What happens at the threshing floor is but
the climax of the narrative that began on the highway in Moab and continued in the harvest
scene of the last chapter.
I would
like to suggest this morning that all of us come to our own threshing floors at
one time or another. Most of our lives,
as I suggested last time, are spent in the realm of the everyday and the
mundane—following the same ritualized pattern from sunup to sundown. But, there are points of crisis: moments in
our histories where we are confronted with a realm of possibilities, one is
chosen, and life from then on is almost indescribably different. The question that confronts us at such
moments is: What will we do and what will be the basis for our lives from here
on out?
Ruth could
easily have seduced Boaz on that night.
A young widow in desperate need of security, it would have been a
convenient way to force Boaz’ hand. We
stand in awe of such a righteous woman who was yet willing to be so forceful,
so courageous, and to take such a risk with the one possession which she truly
owned—her reputation. It could all have
ended so much more disastrously, but Ruth’s commitment to Naomi, to her care,
and to her God, brought her to this point where her faithfulness and moral
responsibility would, at long last, begin to provide a concrete sense of
security.
Boaz, too,
could have succumbed to the moment. Here
was a man of wealth, who could have had most anything he wanted—and clearly
Ruth’s purity was well within his grasp.
It would have been easy to yield to the temptation to sin without ever
muttering a word—no one would have probably even have believed her. But Boaz, too, recognized a higher calling to
purity and faithfulness and, prodded on by this foreign woman, he chose to
accept his responsibility as her redeemer.
One wonders to what extent Ruth’s willingness to help Naomi and to risk
her reputation became such a challenge to Boaz that he was even able to rise
above his own drunken stupor and lay claim to the challenge of a higher good.
And so, she
who was without protection found herself covered by the “wing of
righteousness”—here obviously meant to be both Boaz and Naomi’s God. And, in a direct reference to Naomi’s earlier
lament of bitterness and her proclamation of being “empty,” was extended a
generous gift of barley with which to return to Naomi. No longer would the older woman need to
remain empty, but God, through this foreigner, would restore to her a sense of
“fullness.” From here on out, the story
will simply reveal how this “fullness” will come to fruition in the lives of
each of these three main characters.
And what of
us? Faced with issues of equal
consequence in our own lives and in the life of our community, how will we
choose to respond? When the time for
decision comes, will we choose to give in to the temptations of the moment or
will we yield, instead, to a higher moral calling? In those times of crisis, when our life is at
something of a climax point, when action is called for, on what will we base
our decision? These are not abstract
questions, I would remind you, but are all too real. During the time when I was doing graduate
work at Oklahoma State, I became friends with a brilliant
chemist, involved in groundbreaking research in what would later become a part of
such shows as “Crime Scene Investigation,” where chemicals are analyzed as
evidence that may lead to conviction. Mark
was offered millions of dollars and a quite lucrative stipend with the promise
of additional contracts, if he would agree to work with chemical weapons which
might be used offensively in a time of war.
It was the height of the cold war during the Reagan administration and
all the stops were being pulled out and money being spent brazenly in an attempt
to break the back of a waning Communism.
Dr. Rockley chose, however, to say “no,” to give up his security for the
future, and to be forever “black-balled” by the defense industry. Our decisions may never require us to turn
down millions of dollars, but they will, inevitably, demand us to surrender the
security of the present for the hope of the future.
I have a great fear this morning,
and it is not a fear of whether many of you will be successful by the world’s
standards. I have no doubt that many of
you will leave this place, get married, buy homes, and attain a reasonable
standard of living. What I fear this
morning, though, is that you will come to equate this (the pursuit of the
American dream) with God’s call on your life.
I fear that you will find yourself so busy on the Internet, with
computer games, listening to your IPOD, and calling one another on your cell
phones, that you will have no time for God and no ability to hear Him, even if
you so desired. I fear that you will get
so enmeshed in our culture’s attempts to make money and to build a security
fence of protection around our lives that you will see risk as something
inimical to the Christian life itself.
In this
Lenten season, we need to hear again Bonhoeffer’s succinct encapsulation of the
Gospel, that “Jesus bids us come and die.”
As Nora Gallagher points out in this morning’s editorial in the Los Angeles Times and reprinted in the Post-Dispatch, Bonhoeffer represents a
chapter in history in which church leaders were willing to speak out against
the state—even if it cost them their lives.
They knew that the Christian faith, by its very nature, was full of
risk. In fact, Bonhoeffer’s vision of
“costly grace” is exactly what we see at work in the story of Ruth this morning
and it is quite different from the domesticated faith which so dominates the
airwaves and political rhetoric of this country. Gallagher alleges that the Christianity which
“cozies up to power,” which is associated with political figures like George
Bush and James Dobson, is unfortunately, what many outside the church
predominantly know. She goes on to
conclude: “Many more Christians must show the secular world that there is
another face to our religion by following Bonhoeffer’s and King’s examples. It’s a good time for a new Confessing Church,”
(Monday, April 03, 2006,
B11).
This morning, a twenty-something
independent journalist, Jill Carroll, who was working for the Christian Science Monitor, is enjoying
being back with her family and colleagues in Boston.
Arrested by a group calling themselves the Revenge Brigades, she was
held hostage for several months. If you
have read the reports, you know that Miss Carroll had gone to the Middle East, learned some Arabic, and had immersed
herself in the culture in order to engage the Iraqi story with integrity. Some have even suggested that at least part
of the reason that she may have been released is because there had been so many
pleas by both Sunni and Shi’ite leaders on her behalf because of the great
respect she had earned for her attempts to delve behind many of the “fluffier”
portrayals of Iraqi life. No matter what one thinks of her politics, or perhaps
even of her naiveté, one can’t help but be impressed by her willingness to risk
all in pursuit of the truth. Like Ruth,
in this morning’s scripture, I believe that Jill Carroll and other women like
her represent all that is best in the human spirit.
Unfortunately, all too often, those
of us in the Christian community have held up a different model, especially for
women. While we have certainly emphasized
the need for moral purity, we have downplayed the necessity of the willingness
to risk, even to risk all for the cause of Christ. Those of us most privileged in the power
structure, particularly we males, have tacitly and sometimes even blatantly put
forward a picture of docile femininity which, though not physically
burkha-clad, is at, the very least, somewhat verbally “burkha-ized” and
muzzled. It is this version of Christian
womanhood that writers such as Anne Lamott have so vehemently regaled as more
cultural construct than true to the radicalized models we see both in Scripture
and throughout the history of the church.
Sexualized (within proper limits, of course), quiet and demure, always
hiding in the background behind “their man”--such has been the ideal of
Christian womanhood.
It is high time that we laid aside
such cultural chicanery and encouraged a different model of faithful, yet
risk-taking, faith. Such a commitment
would result in a different kind of young man and woman leaving this place than
walk away from all-too-many Christian campuses.
Instead of simply blending into the culture and naively accepting its
technology, its vision of success, and its commitment to materialism, we would
understand it for the secular fundamentalism that it is and engage it with all
the powers of the Spirit and reason at our disposal. But such a feat would require a willingness
to rise up against both the cultural blinders of our age and to break the
shackles, as well, of the Evangelical sub-culture’s fear of empowered women and
righteous and liberated men willing to stand, not over, but beside them.
So, alongside my fear, I have a
dream—a dream that we, as a community, will begin to read ourselves into the
Scriptures, the whole scriptures, and that, in so doing, we will be challenged
to die and to be buried with Christ in the upcoming Holy Week. And that, somehow, in learning to die to
ourselves, we will be raised up a new people--a people empowered for service
and committed to a life of risk, so that when we find ourselves on the
threshing floors of our lives, like Ruth, we needn’t be afraid to uncover
whatever lies in front of us and to hazard everything we are and might yet hope
to be, so that our story might become a larger part of God’s story of
redemption.
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